"When the two guys from Infected (Duvdev and Erez) started thinking about expanding, they came to Los Angeles and with the classical music background they have, they started thinking about playing their music in a live format which is the Infected Mushroom Live Band that we all know. It's a very well-organized project that has its basis in pshychedelic trance but they also have a hint of rock. They have a sick show. That's actually how I met them in person."
Kinofilia: How did that come about?
Will: "I met them in Mexico City. The first time I had the chance to contact them in any shape or form, was inside some Beatport charts back in 2011 when that electronic genre was wildly active in the country. On that website, how it works is that artists in general share their top ten picks of the best tracks from that month. One day I noticed they supported a song I produced that is called 'Savage' I think, I obviously flipped out at the idea that Infected Mushroom liked one of my songs. That's the first time I contacted them and a while later I realized they were going to perform at Pepsi Center in Mexico City in 2013."
Kinofilia: And then what happened?
Will: "That's when I decided to write to them. I have always thought that opportunities only come when you go after them, so I wrote them an e-mail. I was like, 'Hello Infected Mushroom, I really appreciate you supporting my song. I just realized you are performing in Mexico and I would like to help you guys out in the only way I see fit which is by playing music for you. I would love to be your opening act. That is if you allow me of course.' They quickly responded, actually they were really nice about it and told me they would be keen on doing that but I couldn't do anything unless they requested it."
"They were actually really cool about it, we arranged my opening act through some very diplomatic messages at first. I traveled to DF and played in their concert. At the end I came over to them and we started talking about music. I thought, "These are two guys who are very polite and diplomatic, with an impressive vision for business." So that's where I met Cary. After a few beers I immediately hit it off with him. We started talking about the industry and future plans. That's when he told me he wanted to start something new."
"Back then I was a little bit shy, I was going through a difficult time in my life. I was coming from one of the most difficult months of my life, actually, some really heavy personal and economic issues. I was in limbo. Actually, a day before the gig I was really close to not going to Mexico City because I didn't even have money for the trip, but a friend of mine at the time let me borrow 1,200 pesos for the trip and that's how I made it. It wasn't my best show, but making that trip changed everything for me, it was a learning process that proved to be beneficial for me because I met Cary and I also met Duvdev and Erez with whom I kept contact later when they visited Mexico again."
Kinofilia: Ok so, now that we know how you and Cary met, I'd like to know how your whole production process happens. Who does what and how do you divide work?
Will: "We divide chores into several layers. First of all, any creation process needs to have a proper inception. In general, he is the one who sends me most of the ideas for any song. I pretty much always compare his ideas with mine and then proceed to select the best ones to start producing something. Once I have a clear idea of what we are both looking for, I spend time at my studio and start mixing or producing the music. Because we aren't together - he is in Los Angeles and I'm in Guadalajara - I'm the one who has invested more in equipment to do all the mixing and producing."
"It's way easier for me having an objective technical reference about what I'm doing and then sending him the ideas of what I produce in the studio. He has a good sense of rhythm and he has quick thinking. As soon as I send him a one-minute idea for example, he quickly suggests other complementary ideas that help me complete the track with the best possible quality. It's that same back and forth process that lasts between three and four days for a single track. I pretty much always begin with a percussion section, bass, kick and high hats on the first day. I produce that as clean as I possibly can. Then I try to balance it as well as I can. Then on the next day all we do is share our melodic input for each track."