Christopher and his work have been featured just about everywhere, including: MSNBC, Fox News, CNN, NPR, The New York Times, The Times of London, Playboy, The Washington Post, Time, Newsweek, The Atlantic, Outside, El Pais, La Vanguardia, Salon, Seed, Big Think, and Andrew Sullivan’s Daily Dish.
A featured speaker from TED in Long Beach, CA to The Festival of Dangerous Ideas at the Sydney Opera House to the Einstein Forum in Pottsdam, Germany, Chris has consulted at various hospitals in Spain, provided expert testimony in a Canadian constitutional hearing, and appeared in well over a dozen documentary films.
Even before co-authoring the New York Times best-seller, Sex at Dawn: How We Mate, Why We Stray, and What it Means for Modern Relationships, with his partner-in-crime (and wife), Cacilda Jethá, MD, Chris was on a wild ride. After receiving a BA in English and American literature in 1984 he spent the next two decades traveling around the world, pausing in unexpected places to work at decidedly odd jobs (e.g., gutting salmon in Alaska, teaching English to prostitutes in Bangkok and self-defense to land-reform activists in Mexico, managing commercial real-estate in New York’s Diamond District, helping Spanish physicians publish their research). In his mid-30s, Chris decided to pursue doctoral studies in Psychology.
Drawing upon his multi-cultural experience, Chris' research focused on distinguishing the human from the cultural, first by focusing on shamanism and ethnobotony—studying how various societies interact with altered states of consciousness and the sacred plants that provoke them—and later, by looking at similarly diverse cultural perspectives on sexuality. His doctoral dissertation was a multi-disciplinary investigation of prehistoric human sexual behavior, guided by the world-renowned psychologist, Stanley Krippner, at Saybrook Graduate School, in San Francisco, CA.
Excerpt from http://chrisryanphd.com/
I first heard “Human Sadness” by Julian Casablancas + The Voidz two weeks ago. The song has been haunting my brain. It manifests in moments of silence with that eerie fucking melody that so subtly yet violently begins this short film. The imagery is appetizing for those who have a palette for melancholy. All together it’s the real deal. If you have thirteen minutes to go an emotional journey with JC and The Voidz I hope you take it.
If you want to know more about the making of 'Human Sadness' you can read Rolling Stone's Article Here.